[مراجعات] 📘 ❞ Gone with the Wind ❝ قصة ــ Margaret Mitchell اصدار 1936
Stories and novels - 📖 فيديوهات قصة ❞ Gone with the Wind ❝ ــ Margaret Mitchell 📖
█ _ Margaret Mitchell 1936 حصريا قصة ❞ Gone with the Wind ❝ عن New York : The Macmillan Company 2024 Wind: Wind Scarlett O'Hara was not beautiful, but men seldom realized it when caught by her charm as Tarleton twins were In face were too sharply blended delicate features of mother, a Coast aristocrat French descent, and heavy ones florid Irish father But an arresting face, pointed chin, square jaw Her eyes pale green without touch hazel, starred bristly black lashes slightly tilted at ends Above them, thick brows slanted upward, cutting a startling oblique line in magnolia white skin that so prized Southern women so carefully guarded bonnets, veils mittens against hot Georgia suns Stories novels مجاناً PDF اونلاين هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية This section contains many stories English (Stories novels) والروايات: الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً شكل متسلسلة كما أنها أكبر الأجناس القصصية حيث الحجم وتعدد الشخصيات وتنوع الأحداث وقد ظهرت أوروبا بوصفها جنساً أدبياً مؤثراً القرن الثامن عشر والرواية حكاية تعتمد السرد بما فيه وصف وحوار وصراع بين وما ينطوي عليه ذلك تأزم وجدل وتغذيه A novel is relatively long work narrative fiction, normally written prose form, which typically published book present English word for fiction derives from Italian novella "new", "news", or "short story something new", itself Latin novella, singular noun use neuter plural novellus, diminutive novus, meaning "new" Walter Scott made distinction between novel, (as he saw it) "events are accommodated to ordinary train human events modern state society" romance, defined "a fictitious verse; interest turns upon marvellous uncommon incidents"
Gone with the Wind
Scarlett O'Hara was not beautiful, but men seldom realized it when
caught by her charm as the Tarleton twins were. In her face were
too sharply blended the delicate features of her mother, a Coast
aristocrat of French descent, and the heavy ones of her florid
Irish father. But it was an arresting face, pointed of chin,
square of jaw. Her eyes were pale green without a touch of hazel,
starred with bristly black lashes and slightly tilted at the ends.
Above them, her thick black brows slanted upward, cutting a
startling oblique line in her magnolia-white skin--that skin so
prized by Southern women and so carefully guarded with bonnets,
veils and mittens against hot Georgia suns.
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