📘 ❞ MODERN LITERATURE ❝ كتاب ــ Brian T. Edwards اصدار 2005
الأدب الحديث Modern literature - 📖 ❞ كتاب MODERN LITERATURE ❝ ــ Brian T. Edwards 📖
█ _ Brian T Edwards 2005 حصريا كتاب MODERN LITERATURE عن Northwestern University, Evanston 2024 LITERATURE: LITERATURE This paper discusses several recent Moroccan works of literature, created by artists based both in Morocco and the diaspora, that engage questions globalization culture I argue that “circulation” is a common thematic concern in many such texts past decade, albeit handled differently across them, further circulation offers means which to understand relationship to literary cultural production Attention opens critical avenues: put dialogue cultural production diaspora without collapsing their differences; to identify new paradigm follows “postcolonial” period; to link elements within these material geopolitical concerns they The larger goal try develop method for reading film (and not only from Morocco, but from greater Maghrib Middle East) conditions associated with globalization, particularly types media textual production (satellite TV, internet, blogs chatrooms, TXT messaging, etc ), acceleration of various forms transnational movement bodies, finances, images, , changing role U S both as entity provenance American global culture الأدب الحديث Modern literature مجاناً PDF اونلاين هذا القسم يحتوى علي كل ما يختص بدراسة تعود أصول الحداثة الأدبية أو الحداثي إلى أواخر القرن التاسع عشر وأوائل العشرين خاصة أوروبا وأمريكا الشمالية وتتميز بانفصال واعي للغاية مع طرق الكتابة التقليدية الشعر والخيال النثرية جرب الحداثيون الشكل الأدبي والتعبير كما يتضح من مقولة عزرا باوند "جعله جديدًا" impact modern society undeniable Literature acts form expression each individual author believe important because its purpose society, becoming increasing detached human interaction, novels create conversation Touted father English his contemporaries later (even modern) critics, Geoffrey Chaucer (1343 1400) remains one essential medieval writers still has prevalence our today Contents 1 Origins precursors 2 Early modernist writers 3 Continuation: 1920s 1930s 4 Modernist after 1939 4 1 Late modernism 4 2 Theatre Absurd
MODERN LITERATURE
This paper discusses several recent Moroccan works of literature, created by artists based both
in Morocco and the diaspora, that engage questions of globalization and culture. I argue that
“circulation” is a common thematic concern in many such texts of the past decade, albeit
handled differently across them, and further that circulation offers a means by which to
understand the relationship of globalization to recent literary and cultural production.
Attention to circulation opens several critical avenues: to put in dialogue the cultural
production of the Moroccan diaspora and Morocco without collapsing their differences; to
identify a new paradigm of cultural production that follows the “postcolonial” period; and to
link elements within these texts to the material and geopolitical concerns they engage.
The larger goal is to try to develop a method for reading literary and film texts (and not only
from Morocco, but from the greater Maghrib and Middle East) within the cultural conditions
associated with globalization, particularly the new types of media and textual production
(satellite TV, the internet, blogs and chatrooms, TXT messaging, etc.), the acceleration of
various forms of transnational movement of bodies, finances, images, etc., and the changing
role of the U.S. both as geopolitical entity and as provenance of American global culture
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