📘 ❞ Women in Love ❝ قصة ــ D.H. Lawrence اصدار 1987
Stories and novels - 📖 ❞ قصة Women in Love ❝ ــ D.H. Lawrence 📖
█ _ D H Lawrence 1987 حصريا قصة Women in Love عن Cambridge University 2024 Love: Love Ursula and Gudrun Brangwen sat one morning the window bay of their father’s house Beldover, working and talking Ursula was stitching a piece brightly coloured embroidery, drawing upon board which she held on her knee They were mostly silent, talking as their thoughts strayed through minds ‘Ursula,’ said Gudrun, ‘don’t you REALLY WANT to get married?’ laid embroidery lap looked up Her face calm considerate ‘I don’t know,’ she replied ‘It depends how mean ’ Gudrun slightly taken aback She watched sister for some moments ‘Well,’ said, ironically, ‘it usually means thing! But think anyhow, you’d be—‘ darkened slightly—‘in better position than are now ’ A shadow came over Ursula’s might,’ ‘But I’m not sure ’ Again paused, irritated wanted to be quite definite Stories novels مجاناً PDF اونلاين هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية This section contains many stories English (Stories novels) والروايات: الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً شكل متسلسلة كما أنها أكبر الأجناس القصصية حيث الحجم وتعدد الشخصيات وتنوع الأحداث وقد ظهرت أوروبا بوصفها جنساً أدبياً مؤثراً القرن الثامن عشر والرواية حكاية تعتمد السرد بما فيه وصف وحوار وصراع بين وما ينطوي عليه ذلك تأزم وجدل وتغذيه A novel is relatively long work narrative fiction, normally written prose form, which typically published as book The present English word for fiction derives from the Italian novella "new", "news", or "short story something new", itself Latin novella, singular noun use neuter plural novellus, diminutive novus, meaning "new" Walter Scott made distinction between novel, (as he saw it) "events accommodated ordinary train human events modern state society" romance, defined "a fictitious verse; interest turns marvellous uncommon incidents"
Women in Love
Ursula and Gudrun Brangwen sat one morning in the
window-bay of their father’s house in Beldover, working and
talking. Ursula was stitching a piece of brightly-coloured
embroidery, and Gudrun was drawing upon a board which
she held on her knee. They were mostly silent, talking as
their thoughts strayed through their minds.
‘Ursula,’ said Gudrun, ‘don’t you REALLY WANT to get
married?’ Ursula laid her embroidery in her lap and looked
up. Her face was calm and considerate.
‘I don’t know,’ she replied. ‘It depends how you mean.’
Gudrun was slightly taken aback. She watched her sister
for some moments.
‘Well,’ she said, ironically, ‘it usually means one thing!
But don’t you think anyhow, you’d be—‘ she darkened
slightly—‘in a better position than you are in now.’
A shadow came over Ursula’s face.
‘I might,’ she said. ‘But I’m not sure.’
Again Gudrun paused, slightly irritated. She wanted to
be quite definite.
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