📘 ❞ Cry, The Beloved Country ❝ قصة ــ Alan Paton اصدار 2003
Stories and novels - 📖 قصة ❞ Cry, The Beloved Country ❝ ــ Alan Paton 📖
█ _ Alan Paton 2003 حصريا قصة ❞ Cry, The Beloved Country ❝ عن New York, N Y : Scribner 2025 Country: Country CRY, THE BELOVED COUNTRY may be longer remembered than any other novel of 1948, but not because it fits into pattern the modern It stands by it self; creates rather follows a tradition is at once unashamedly innocent and subtly sophisticated story; it prophecy; psalm passionately African, as no book before had been; universal has in ele ments autobiography; yet selfless Let reader discover story for himself Paton tells something its pre publication history his own author’s introduction rest still living In the United States, where first saw print, small advance sale—3300 copies club fanfare advance publication; never reached top bestseller lists But made way People discovered themselves They are discovering it Stories novels مجاناً PDF اونلاين هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية This section contains many stories English (Stories novels) والروايات: الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً شكل متسلسلة كما أنها أكبر الأجناس القصصية حيث الحجم وتعدد الشخصيات وتنوع الأحداث وقد ظهرت أوروبا بوصفها جنساً أدبياً مؤثراً القرن الثامن عشر والرواية حكاية تعتمد السرد بما فيه وصف وحوار وصراع بين وما ينطوي عليه ذلك تأزم وجدل وتغذيه A relatively long work narrative fiction, normally written prose form, which typically published present English word fiction derives from Italian novella "new", "news", or "short new", itself Latin novella, singular noun use neuter plural novellus, diminutive novus, meaning "new" Walter Scott distinction between novel, (as he it) "events accommodated to ordinary train human events state society" romance, defined "a fictitious verse; interest turns upon marvellous uncommon incidents"
Cry, The Beloved Country
CRY, THE BELOVED COUNTRY may be longer
remembered than any other novel of 1948, but not because
it fits into any pattern of the modern novel. It stands by it- self; it creates rather than follows a tradition. It is at once unashamedly innocent and subtly sophisticated. It is a story;
it is a prophecy; it is a psalm. It is passionately African, as no book before it had been; it is universal. It has in it ele- ments of autobiography; yet it is selfless. Let the reader discover the story for himself. Alan Paton
tells something of its pre-publication history in his own author’s introduction. The rest is still living history. In the
United States, where it first saw print, the book had a small
advance sale—3300 copies. It had no book-club fanfare in advance of publication; it never reached the top of the bestseller lists. But it made its way. People discovered it for themselves. They are still discovering it
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